Great review by Alan Young of New York Music Daily / Lucid Culture.
"... improvised a literally mesmerizing, often haunting multimedia sonata of sorts, complete with variations on a series of recurrent tropes and gestures."
"...Her timing was striking to witness. For much of the performance, Muhr swayed, turned, rose and fell at halfspeed, as if underwater. Much of her time onstage was spent contending with an invisible tether:, which seemed to encircle her, encumber her feet, hung in front of her face where she could analyze it, then became a sudden threat. But just when it seemed that it had finally sent her into a fetal position, and then a crumpled form at the very edge of the stage, she rose from the depths, slowly but ineluctably, in an understatedly steely display of athletic command.Muhr’s green eyes are profoundly expressive: like a young Liv Ullmann, she excels at channeling very subtle or conflicted emotions."
Full review here:
Please watch the full video here: https://www.youtube.com/watch?v=6lvoLRshkpU